8 Adobe InDesign Problems (and how to actually fix them)

Let’s get this out of the way: Adobe InDesign is a powerful, beautiful tool. You can do amazing things with it

It is also a maddening beast, and if you don’t know the “ins and outs” as I do, you may sacrifice a bit of your sanity in the process.  Like…  If you’ve ever screamed into the void because your text box suddenly disappeared from the page, welcome. Pull up a chair. You’re one of us now.

But First… You might be asking…What Even IS InDesign?

Before we get too deep into this gloriously unhinged list of glitches, let’s give InDesign the respect (and side-eye) it deserves.

Adobe InDesign is Adobe’s powerhouse for page layout and desktop publishing. While Photoshop handles image manipulation and Illustrator wrangles vectors, InDesign is the friend you call when you need to build multi-page documents, design print-ready layouts, or create interactive PDFs that don’t look like they were made in 2003.

 

It’s the tool behind magazines, brochures, books, catalogs, flyers, resumes, and even fancy restaurant menus (you know, the kind printed on thick paper that makes you feel poor). InDesign specializes in organizing and flowing text, aligning elements with maddening precision, and integrating visual content created in other Adobe apps.

So, yes — it’s essential. If you’re in publishing, marketing, design, or just enjoy yelling “WHY ARE YOU DOING THIS TO ME” at your screen every few hours, InDesign is for you.

Now, back to our regularly scheduled tantrums.

The Top 8 Adobe InDesign Glitches That Make Me Question Reality

1. The Adobe World-Ready Paragraph Composer: Demon Mode

You’re typing. Everything seems fine. But then—suddenly—your letters are coming in like a right-to-left poltergeist has possessed them. The first character appears on the right side of the text box. Then the next one bumps it to the left.

You didn’t ask for this.
You didn’t enable anything.
You didn’t even know World-Ready Paragraph Composer was a thing. 
And yet here you are, accidentally designing a brochure in Arabic layout mode, trapped in InDesign’s multilingual panic room.

The Fix:

Let’s uncurse your project:

1. Select the Paragraph
   Highlight the affected paragraph or place your cursor inside it.
2. Open the Paragraph Panel
   If you don’t already see it:
   Go to Window > Type & Tables > Paragraph
3. Access Composer Settings
   • Click the tiny hamburger menu (☰) in the upper-right of the Paragraph panel
   • Scroll to “Adobe Paragraph Composer” or “Adobe Single-line Composer”

   • Select either one

   • This will instantly override the World-Ready setting and restore left-to-right behavior

4. Optional: Update Your Paragraph Style
   • If this issue is happening consistently with a particular style, edit the Paragraph Style directly
   • Go to Paragraph Styles panel > Right-click the style > Edit “YourStyleName”

   • In Justification > Composer, switch it from World-Ready Paragraph Composer to Adobe Paragraph Composer

   • Click OK to save and apply

Pro Tip: If you do need right-to-left layout support (Hebrew, Arabic, etc.), the World-Ready Composer is your friend.
But if you don’t? It’s the design equivalent of handing you a wrench when you asked for a pencil.

2. The Disappearing Text Box

You’re staring at the page, absolutely certain there was copy in that text box five seconds ago. Now? Gone. Vanished. Erased from existence. You click around in disbelief, questioning your memory, your sanity, and maybe your entire career.

But wait — it’s not deleted. It’s just… somewhere.
Maybe the text is overset.
Maybe it’s behind another element.
Maybe the whole frame is sitting on a locked, hidden, passive-aggressive layer that refuses to be acknowledged.

This is InDesign at its gaslighty-est:

“Are you sure you even typed anything?”
Yes, InDesign. I am sure. Now stop playing games.

The Fix:

Here’s how to locate your missing text before you start questioning reality:

1. Turn on Hidden Characters
   Go to Type > Show Hidden Characters
   This shows every return, space, and ghost character — helps confirm there’s something in there, even if it’s invisible or overset.
2. Reveal Overset Text
   • Select the text frame
   • Look for a red plus sign (+) in the lower-right corner — this means there’s text, but it doesn’t fit in the box
   • Resize the frame or thread it to another frame to reveal the rest
3. Check Layer Visibility and Locking
   • Open the Layers panel (Window > Layers)
   • Look for hidden or locked layers — especially ones mysteriously named “Copy” or “Don’t Touch”
   • Unlock and toggle visibility as needed
     Pro Tip: Use the tiny triangle to expand each layer and see individual objects
4. Check Object Arrangement
   • Right-click the text frame > Arrange > Bring to Front
   • It may be hiding under another object like an image or a rogue white box
5. Use the Story Editor
   Select the text frame and go to Edit > Edit in Story Editor
   This lets you view the raw text in a separate window, even if it’s completely overset or off the page — perfect for spotting “invisible” content

Still can’t find it? Check the pasteboard, the master pages, or the alternate layouts tab you forgot existed. Or just accept that InDesign’s playing hide-and-seek with your sanity again.

3. Phantom Fonts (I didn’t realize I was a magician until my fonts just disappeared)

Oh look — it’s the pink highlighter of doom! A bright neon warning that your font is “missing.” Except… It’s not. It was working just fine yesterday. Or five minutes ago. It’s still installed. Still active. Still very much alive on your machine. But InDesign? InDesign has decided to gaslight you.

Sometimes, restarting the app makes it see reason. Other times, you have to reboot your entire system, uninstall and reinstall the font, sacrifice a printer cable to the Adobe gods, and lower your expectations for how this day will go.

It’s not just annoying—it’s catastrophic when you’re on deadline and suddenly your brand font is replaced with something that looks like a 1997 greeting card.

The Fix:

<p “>Here’s how to un-haunt your fonts and get them back into the document where they belong:

1. Check for Missing Fonts FirstGo to Type > Find/Replace Font…
   This will show you what fonts InDesign thinks are missing, and whether they’re replaceable from within the document.
2. Confirm Font Activation if you’re using Adobe Fonts (formerly Typekit):
   • Open Creative Cloud, go to the Fonts tab, and make sure your fonts are activated
   • If it’s showing as active, try toggling it off and back on again
     If you’re using system-installed fonts:
   • Check Font Book (Mac) or Fonts folder (Windows) to confirm it’s installed and enabled
   • Sometimes, just re-validating the font works (Font Book > Validate Font)
3. Clear InDesign Font Cache
   If the font is installed but still shows as missing, your InDesign font cache might be corrupted.
   Quit InDesign and manually delete the cache files:
   • Mac: ~/Library/Caches/Adobe InDesign/Version [xx]

   • Windows: C:\Users\[YourUsername]\AppData\Local\Adobe\InDesign\Version [xx]
     Then relaunch InDesign. You’ll be surprised how often this solves the issue.

4. Check the Document’s Font Embedding
   If you received the file from someone else, it may reference a different version of the font or one that isn’t fully embedded.
   Solution: Reapply the correct local version and save the file anew.
5. Avoid Using Fonts from Sketchy Sources
   That free font site? Yeah… probably corrupt.
   If you’re downloading fonts from third-party sites, make sure they’re from trusted, verified sources (Google Fonts, Font Squirrel, Adobe Fonts, etc.)
6. Export to IDML as a Last Resort
   Corruption still lingering?
   • File > Save As > InDesign Markup (IDML)

   • Open the IDML file, save it as a fresh .indd

   • This often shakes out hidden font issues embedded in the original file structure.

Pro Tip: Create a “Fonts” folder in your packaged file every time you hand off work to a client or printer. This avoids those dreaded “Please send the fonts!” emails at 5:01 PM on a Friday.

4. Threaded Text Frame Purgatory (a.k.a. Divorce Court for Text Boxes)

All was flowing beautifully — a threaded story cascading gracefully from page 2 to page 10 — until one day, it just… stops. No warning. No goodbye. The blue out-port box sits there, smug and unresponsive. You try to drag the thread to the next frame, but it’s like trying to reunite exes at a wedding. The frames refuse to talk to each other.

You sigh, unthread everything, thinking you’ll start fresh. And what do you get? Ghost links. Broken chains. Text boxes haunted by connections that no longer exist but still refuse to die.  You didn’t ask for this drama. You just wanted a simple text wrap. Instead, you’re waist-deep in the breakup saga of two text frames who “just need space.”

The Fix:

Here’s how to resolve the situation without rage-quitting your career:

1. Turn on Frame Edges
   First things first: make sure you can actually see what you’re doing.
   Go to View > Extras > Show Frame Edges. This will help you spot rogue connections or overlapping boxes you missed.
2. Use the Selection Tool, Not the Type Tool
   You can’t connect frames properly with the Type Tool.
   Switch to the black arrow (Selection Tool) before you click the little blue box.
3. Check for Overset Text
   That tiny red plus sign in the out-port? It means your text doesn’t have enough room. Either resize the current box or link it to a new one to continue the flow.
4. Break the Chain Gracefully
   If things get really gnarly, Alt (Option) + Click the in-port or out-port to remove just that one connection without disturbing the rest of your layout. It’s like cutting the right wire in a bomb movie — do it carefully.
5. Rebuild from a Clean Slate (but smarter)
   If all else fails, copy your uncooperative text into a fresh text box.
   Pro tip: paste it into a new master-threaded setup starting on a blank spread. This isolates the drama without dragging the rest of your layout into the chaos.

5. The Magical Vanishing Baseline Shift

That one rogue line has decided it’s better than the others. It levitates above the rest of the paragraph like it’s been raptured mid-layout. You didn’t apply a baseline shift. You check the character settings. You check the paragraph style. You reset everything short of sacrificing a goat under a full moon. Nothing works.

The text has chosen chaos — and now you’re selecting each character one by one like a typographic hostage negotiator, trying to talk them back down to earth.

The Fix:

Here’s how to bring your text back to baseline reality:

1. Highlight the Offending Text
   Select the problem line (or better yet, the entire paragraph) with the Type Tool.
2. Clear Overrides
   In the Paragraph Styles panel, right-click the applied style and choose Clear Overrides.
   This will wipe out rogue formatting that’s sneakily applied on top of your style.
3. Check the Character Panel
   Open Window > Type & Tables > Character and look at the Baseline Shift field. If it’s anything other than 0, your text has indeed gone rogue.
   Set it back to 0 pt, and your floating line should return to the fold.
4. Look for Hidden Gremlins
   Still not working? Turn on hidden characters (Type > Show Hidden Characters) to see if there’s a line break or span of text carrying a different style that includes a shift.
5. Nuke It from Orbit (Optional but Therapeutic)
   If all else fails, copy the clean text into a new text box with no styles applied. Start fresh.
   Sometimes styles get corrupted, and no amount of reasoning will help. It’s not you. It’s InDesign.

6. Exporting to PDF Roulette

This one is like Russian roulette for your reputation. Everything looks perfect in InDesign — sharp, styled, color-correct, your fonts are flawless, your layers are clean. You hit “Export to PDF” with the confidence of a seasoned pro… and then open the file only to find it looks like someone ran it through Microsoft Paint with a potato.

The spacing is off. Transparencies flatten like pancakes. The carefully placed 300 dpi image? It’s now blurry, sad, and vaguely offended. Your masterpiece has been reduced to meh. Why? No one knows. It’s just… InDesign being InDesign.

The Fix:

Here’s how to improve your odds in the grand PDF casino:

1. Set the Right PDF Compatibility Level

   In the Export to PDF dialog (File > Export > Adobe PDF [Print]) under the General tab, you’ll see an option for “Compatibility.” This controls which version of Acrobat the PDF will target (and what features it can support).

   • PDF 1.4 (Acrobat 5): Flattens transparencies. Avoid this unless your printer demands it or you love chaos.

   • PDF 1.5 – 1.7 (Acrobat 6–8): Supports live transparency, layers, and advanced effects.
     👉 Use PDF 1.6 or 1.7 for the most flexibility and fewest flattening issues.

   Pro Tip:
   Unless you’re exporting for a 1990s printer or time traveling, go with PDF 1.6 — it preserves transparencies and plays nicely with most modern RIPs and workflows.

2. Use the “High Quality Print” or “Press Quality” Preset
   File > Export > Adobe PDF (Print)
   Then choose either High Quality Print or Press Quality in the export dialog.
   These presets preserve resolution, embed fonts, and reduce nasty compression surprises.
3. DON’T Use “Smallest File Size” Unless You Hate Yourself
   That preset aggressively downscales images and flattens transparencies for screen use only.
   It’s the reason your crisp photo now looks like it was shot on a flip phone in 2004.
4. Check Your Compression Settings
   Under the Compression tab in the PDF export dialog:

   • Set image quality to “Maximum”

   • Downsampling should be set no lower than 300 ppi for print

5. Preserve Layers & Transparency
   If your document uses transparent PNGs, drop shadows, or layer effects, make sure “Create Acrobat Layers” is checked (under “General”) and Transparency Flattener is set to High Resolution under “Advanced.”
6. Preview Before Panic
   Open the exported PDF in Adobe Acrobat Pro, not just your browser. Chrome and Preview on Mac render things weirdly. Always check your file in a program meant to interpret it correctly.
7. If All Else Fails: Print to PostScript > Distill
   If you’ve tried everything and InDesign still spits out a cursed PDF, try exporting to PostScript and running it through Adobe Distiller. Yes, it’s old school. Yes, it still works.

7. The Bleed Drama

You set your bleed to 0.125″ like a responsible adult. You checked it in the Document Setup. You double-checked it in the Export panel. You even manually previewed it in Acrobat like the print-savvy pro you are.

Then the email comes in.

“This file doesn’t include bleed.”

You look at the file.
You look at the printer’s email.
You look at the bottle of wine in your fridge.
One of them is going down tonight.

You were sure you did everything right—but somehow, your precious bleed is MIA, and now your printer thinks you’re new here.

The Fix:

Here’s how to make sure your bleed actually shows up and keeps your sanity intact:

1. Set Bleed in Document Setup
   When you create your document (or at any time):

   • Go to File > Document Setup

   • Click the Bleed and Slug dropdown

   • Set Top, Bottom, Left, Right to 0.125 in (or your printer’s specs)

2. Make Sure Your Artwork Extends Into the Bleed Area
   It’s not enough to set the bleed—you have to use it.

   • Any background colors, images, or design elements that should run to the edge of the page must extend past the trim line into the red bleed zone

3. Set Bleed When Exporting

   • Go to File > Export > Adobe PDF (Print)

   • In the Export Adobe PDF window, click the Marks and Bleeds section

   • Check “Use Document Bleed Settings”

   • Do not forget this step—this is what actually includes the bleed area in the exported file

4. Add Printer’s Marks If Requested
   If your printer needs crop marks or registration marks:

   • In the same Marks and Bleeds panel, check “Crop Marks”

   • Double-check that bleed and crop marks don’t overlap awkwardly

5. Preview Your PDF in Acrobat

   • Open your exported file in Adobe Acrobat Pro

   • Turn on TrimBox and BleedBox view via Print Production > Output Preview to verify the bleed is present

   • If you don’t see anything past the trim line, your bleed didn’t make the cut

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Pro Tip: Always export a PDF/X-4 or Press Quality PDF for final print—these formats preserve bleeds, transparencies, and color profiles without throwing your file under the bus.

8. The “Final_FINAL_ForRealThisTime.indd” Effect

You’re not fooling anyone.

We’ve all got a folder (or three) littered with files named things like:

• Final_v2.indd

• RealFinal_THISONE.indd

• FinalNoReallyForPrint_ACTUALFINAL.indd

• Final_USE_THIS_ONE_FOR_REAL2.indd
  …and deep down, we know the truth: there will never be a final file.

Not because you’re indecisive. But because InDesign always finds something. A style misfire. A bleed adjustment. A last-minute font panic. A client who says, “Just one more tiny tweak.”

The result? A digital paper trail that reads like a designer’s slow descent into madness.

The Fix:

Here’s how to reclaim your dignity and avoid naming shame:

1. Use a Versioning System (That Isn’t Emotional)
   Stop naming files based on feelings. Instead, number them cleanly:
   ProjectName_v01.indd, v02, v03, etc.
   No adjectives. No all-caps breakdowns. Just numbers.
   ✅ Bonus: you can easily track which version was approved or printed.
2. Include Dates If You’re Working Across Multiple Days
   Add the date like a timestamp:
   ProjectName_v04_2025-07-27.indd
   Useful for freelancers juggling client rounds or 3 a.m. tweaks you won’t remember tomorrow.
3. Save “Final” for the Packaged File
   Only use “Final” on the version that’s actually going to the printer or client — and package it.
   Inside that folder, include a PDF preview, fonts, links, and your actual final .indd.

   • Example: ProjectName_FINAL_PrintReady_2025-07-27.zip

4. Keep a “Working Files” Folder to Hide the Chaos
   Put all the messy drafts in a subfolder named “Working” or “Versions” so your client never sees the evolution from Initial Draft_v1 to Final_Updated_ForRealSeriously.indd.
5. Use Comments in the File Metadata
   File > File Info > Description
   Leave a note to yourself or teammates like “Contains unapproved client edits” or “Ready for export – round 2”

General InDesign Sanity-Saving Tips (That Still Make You a Little Bitter)

a. Show Hidden Characters

You know that mystery gap between paragraphs? It’s probably a non-breaking space, a soft return, or an invisible character having an identity crisis.
How: Go to Type > Show Hidden Characters.
Suddenly, you’re Neo in the Matrix—everything makes sense, and you can stop blaming your mouse.

b. Name Your Layers Like a Functional Human

“Layer 3 copy copy copy” isn’t helping anyone. It also doesn’t help when everything disappears and you’re digging through a 48-layer stack to find that one white rectangle ruining your layout.<br”></br”>

Pro tip: Name layers like “Images,” “Text Overlay,” “Background,” or even “This One Is Causing Problems.” Be your future hero.

c. Styles Are Only Helpful If They Behave

Is your style not applying correctly?

• Click into the paragraph.
• In the Paragraph Styles panel, Right-click > Clear Overrides

Still broken? Create a new style from scratch and then reapply it.
Some styles get corrupted—don’t try to fix what’s already feral. Just start over.

d. Always Package. Always.

Fonts, links, instructions, your will to live — all wrapped up for printers who will call you at 4:55 PM asking where the fonts are.

Before you send your file to anyone:
File > Package
This bundles your fonts, links, images, and a .txt summary. Printers love it, prepress teams need it, and your future self won’t get an email that says, “This font isn’t embedded.”

Bonus: it also makes you look like you know what you’re doing (even if you just yelled at your screen).

e. Export to IDML and Start Over When Needed

It’s the digital equivalent of “turn it off and back on again” — but for demons. Often fixes mysterious corruption that no mortal can explain. Your file is acting haunted. Text boxes won’t behave. Images keep unlinking.
Fix: 
File > Save As > InDesign Markup (IDML)
Open the IDML file—it basically “resets” the InDesign file structure.
This often clears out corruption that would take hours to find manually. Think of it as holy water for your layout.

f. Use Preflight. Religiously.

That little red dot in the bottom left corner? That’s Preflight crying out for your attention.
Window > Output > Preflight
It’ll tell you about missing fonts, unlinked images, overset text—stuff that turns into real problems at the printer.
Set up a custom Preflight Profile to avoid being caught off guard again.

Yes, yes, yes.  Despite the glitches, the tantrums, the pink-highlight betrayals — we still use it.
Why? Because deep down, under the rage and ruined text wrap settings, InDesign is still the best tool for the job.

It’s the software equivalent of a toxic best friend. It makes you cry sometimes, but you still invite it to every project.

Got your own InDesign nightmare?

Drop it in the comments or just email me a screenshot with the subject line “WHY.”
I’ll light a candle, send a hug, and possibly forward it to Adobe with zero context.

Accent Graphix Design Studio is a full-service web and graphic design studio with offices in Madison, Wisconsin, and Chicago, Illinois. We specialize in cutting-edge web development, graphic design, and print media.  We are also SEO experts!

Our focus is on a creative, tasteful approach that will enhance your company’s visibility in print and on the web.